How to Get Your Work Published in Canadian Literary Magazines: Insights into Fiction, Poetry, and Visual Art

You’ve always wanted to see your name in print, between the pages of a gorgeous literary magazine. Maybe you’ve even pictured readers stopping to read your words, savoring a poem, short story, children’s literature, or flash fiction that is you.

The truth is, that Canadian literary magazines are where writers and artists can share their work with an audience that reads.

Here’s the thing: getting published in these magazines isn’t just about submitting great writing or art. It’s about understanding the landscape—knowing what editors are looking for, following the submission process, and tailoring your work to the right magazine.

The Canadian literary magazine scene is alive, diverse, and uniquely Canadian. It includes genres like creative nonfiction, critical writing, and literary nonfiction. But it can also be a puzzle, with print, digital, and hybrid magazines, each with its opportunities and challenges.

So, how do you get in? Where do you start if you’re looking to publish your short fiction, poetry, personal essays, short stories, or visual art? This guide has you covered. We’ll dive into the Canadian literary magazine world, from what they accept to submission guidelines and professional development opportunities.

Many of these publications are also poetry magazines and literary journals, providing a wide array of platforms for your work.

If you’ve ever thought, “I want to publish, but I’m not sure how,” this is your map. Ready to get started and see your name in print? Let’s get into everything you need to know about publishing in Canadian literary magazines—and get you one step closer to making that happen.

Getting Your Work Published in Canadian Literary Magazines

1. Canadian Literary Magazines

1.1. Canadian Literary Magazine Overview

Canada’s literary magazine scene is as diverse as the country. These magazines are platforms for emerging and established writers, with all kinds of styles and voices. Some are print only—offering the pleasure of flipping through pages—while others are digital—making literature available to a global audience. Hybrid magazines are the best of both worlds—print editions and online content.

But beyond publication, these magazines are also incubators of creativity and experimentation. They nurture talent, and places where writers and artists can contribute to the Canadian literary landscape. Whether you’re a poet, fiction writer, essayist, visual artist, or specialize in literary nonfiction and critical writing, there’s a magazine that will publish your work.

The Canadian literary landscape is always changing, driven by trends, economic challenges, and reader preferences. Craig Baird (@CraigBaird), a historian and commentator on Canadian history, recently noted the closure of Reader’s Digest Canada after 76 years. This is a reminder that even the most established publications are fragile and vulnerable to declining ad sales and rising production costs.

For writers looking to publish in Canadian literary magazines, we need to support our local publications and seek opportunities in a competitive market. While the big, long-standing ones may struggle, the smaller or niche literary magazines often thrive by speaking to unique voices, topics, and communities. Knowing these dynamics will help us navigate the submission process and contribute to Canada’s literary legacy.

2. Types of Content Accepted

Canadian literary magazines are vibrant platforms that celebrate creativity, where writers and artists can showcase their work, including children’s literature, flash fiction, and literary nonfiction. These magazines love diversity and accept all kinds of submissions, such as personal essays, short stories, and visual arts, that challenge, inspire, and explore the human condition.

Whether you’re an established creator or an emerging voice, these magazines are a place to share your perspective with an audience that reads. Many of these publications are also recognized as prominent poetry magazines.

Here’s a list of the main types of content they accept, along with some guidelines to help your submissions stand out:

2.1. Writing Categories

Canadian literary magazines accept all kinds of submissions. Here are the main ones:

  • Short Fiction: New and established writers.
  • Poetry: Traditional to experimental.
  • Creative Non-Fiction: Personal narratives, cultural themes, and literary nonfiction.
  • Essays: Opinion pieces and personal essays.
  • Children’s Literature: Stories for young readers.
  • Flash Fiction: Concise and impactful stories.

2.2. Visual Art Submissions

Many magazines also feature visual arts:

  • Photography: Images that capture emotions, stories, and moments.
  • Illustrations: Original artwork that accompanies written pieces or stands alone.
  • Cover Art: Visual representation of the magazine’s themes, setting the tone for the issue.

2.3. Word Count and Format

While guidelines vary, here are some general guidelines:

  • Short Fiction: 1,000-5,000 words.
  • Poetry: Flexible (a few lines to several pages).
  • Essays and Creative Non-Fiction: 1,500-4,000 words.

Format is key. Use standard fonts (e.g. Times New Roman, 12-point), double spacing, and headers with your name and title.

Types of Content Accepted

3. Submission Guidelines and Process

The submission process can be overwhelming, but understanding the guidelines and following them is key to success. Publishers and editors get thousands of submissions and following their specific rules shows you’re professional and respect their time.

A polished submission not only makes a good impression but also gets your work noticed. Whether you’re an emerging writer or an established author, a well-prepared submission is the first step to making connections in the literary or publishing world.

3.1. Submission Protocols and Etiquette

Following submission guidelines is non-negotiable. Here’s how to do it:

Read Guidelines Carefully: Each magazine, journal, or publisher has its own rules. Follow them to the letter to avoid disqualification.

Cover Letters: Keep them short and professional. Introduce yourself, tell them about your work, and express your interest without being too salesy.

Simultaneous Submissions: Only submit to multiple places if allowed, and notify them promptly if your piece is accepted elsewhere. Transparency is key.

3.2. Seasonal vs. Year-Round Submissions

Timing is everything. Some magazines accept submissions year-round, while others only open their doors during specific seasons. Research and time your submissions accordingly as editors are more focused and selective during peak submission windows.

3.3. Format and Presentation Requirements

Presentation is just as important as the content. Make sure your work is formatted to industry standards:

  • Times New Roman, 12-point
  • Double spacing
  • 1-inch margins
  • Headers with your name and title of the piece

A well-formatted submission shows you take your work seriously and respect the editor’s preferences, so they’re more likely to consider your submission.

Did you know that regional voices are a big part of the Canadian literary scene and writers from specific provinces often have opportunities tailored to their backgrounds and experiences? Allan Hudson (@hudson_allan) is a big booster for New Brunswick writers and highlights the importance of showcasing local talent.

Publications in this region are looking for writers who can capture the spirit and culture of New Brunswick so it’s a great place for emerging writers to get noticed and connect with a literary community.

If you’re from New Brunswick or have ties to the province, this is a reminder to check out opportunities with regional publishers and magazines. By aligning your work with the interests of these publications you can tap into a platform that values your voice and perspective and get published while adding to the province’s literary fabric.

4. Regional Considerations

Canada’s literary landscape is as varied as its geography, with different regions cultivating their unique voices, styles, and focuses in their literary magazines. The country’s literary magazines reflect the cultural and creative diversity of each province and writers and readers have a wealth of content, themes, and perspectives to choose from.

Knowing the regional focus and style of these magazines will help you target your submissions to the right place and increase your chances of publication.

4.1. Major Literary Magazines by Region

British Columbia: The Malahat Review is a top-tier magazine that focuses on literary fiction and poetry, often featuring work that explores the natural world and personal narratives. Canadian Literature is a scholarly journal that publishes critical essays that engage deeply with literary theory and Canadian literary studies.

In the world of Canadian literary magazines, success stories are both inspiration and proof of the talent within. For instance, The Malahat Review (@malahatreview) just announced the winners of its 2025 Open Season Awards and the work is top-notch in creative nonfiction, poetry, and fiction.

These contests are crucial for emerging and established writers. Tanis MacDonald, Georgio Russell, and Catherine St. Denis will have their winning pieces in the spring issue. That’s the kind of work these magazines want to publish.

Add this to your submission strategy and it’s a game-changer. Contests get noticed by editors and readers alike and give you an edge in a crowded field. Beyond the recognition, you get to see your work alongside the best in the country. Stay informed and submit your best work and you’ll be published and celebrated in Canada’s top literary magazines.

Ontario: The Walrus is a magazine that covers a wide range of topics including literature, culture, politics, and current events with an interdisciplinary approach that combines essays, fiction, and social commentary.

New Brunswick: The Fiddlehead is a literary journal that has been around for decades and celebrates both poetry and prose, often featuring emerging writers and experimental work that pushes the boundaries of creativity, reflecting the province’s thriving arts scene.

4.2. University-Affiliated vs. Independent Publications

The distinction between university-affiliated and independent publications is important for any writer.

University-Affiliated: Publications like The New Quarterly are more academic in focus and prioritize work with intellectual heft and analysis. These journals are tied to academic institutions so are great for writers with a scholarly or experimental bent.

Independent: Magazines like Room and Hazlitt have no constraints and are known for their innovative and diverse content that spans genres and styles. These independent outlets are more flexible in terms of subject matter and creative exploration and offer space for experimental and boundary-pushing work.

By knowing these regional and institutional nuances writers can target their submissions to the right tone and scope of the publication they’re submitting to.

5. Special Interest Categories

Many literary magazines focus on specific interests and offer writers a chance to write to a theme or niche genre, including children’s literature and literary nonfiction. These publications are often deeply connected to a particular conversation, movement, or community and offer a platform for work that addresses current issues or celebrates a unique form of art, such as personal essays and visual arts.

Knowing these special interest categories allows writers to target the right outlets for their work and increase their chances of publication.

5.1. Themed Issues and Special Editions

Many magazines release themed issues or special editions on specific topics like environmental issues, identity exploration, or social justice. These issues tap into global conversations so writers can contribute to the current discussion. By submitting to these themed calls you’re aligning your work with cultural and political conversations that can increase its visibility and impact.

5.2. Genre-Specific Publications

Canada has several magazines that focus on specific genres like children’s literature, graphic novels, or poetry. These specialized outlets offer writers and artists a space to showcase their craft in a focused environment where the audience is looking for work in that genre.

Magazines like The Future of Children’s Literature or Sequential Magazine celebrate niche artistry and give genre-specific creators a platform to share their work with a dedicated audience.

Including examples and success stories can motivate writers to get published. Sharon, an award-winning illustrator and 2020 Favourite Colourist from Sequential Magazine, shows how artists can get noticed through collaboration and visibility in literary and art publications.

Her recent work as a guest artist during a Zoom Draw-Along with Mohawk College students where she drew John Ware, shows how engagement can open doors to both artistic growth and awards.

Sharon’s story proves the value of connecting with creative communities whether through virtual events, social media, or contributing to niche magazines. By participating in these opportunities artists and writers can grow their portfolio, build their network, and get noticed for their work.

Her story shows how using multiple platforms can increase visibility and strengthen an artist’s connection to the Canadian literary and art world.

5.3. Specialized Content Focus

Some magazines prioritize content that addresses critical issues like mental health, cultural issues, or social equity. These publications want thoughtful and authentic work that not only addresses these issues but also sparks conversation within their community.

By submitting to these publications writers can engage in deeper conversations make a lasting impact on the issues that matter most and contribute to a more inclusive literary culture.

6. Digital Presence and Publication

In today’s literary landscape digital is central to the submission and publication process. Knowing how to navigate these modern systems can not only make your life easier but also open up new opportunities for visibility and connection in the literary world. Whether you’re submitting to an established print journal or a new online publication, being digital savvy is key to staying current and being effective.

6.1. Online Submission Systems and Platforms

Most literary magazines now use online submission systems like Submittable which makes the process easier and allows writers to track their submissions. These platforms eliminate paper trails, speed up communication, and offer features like automatic acknowledgment receipts which can make the submission process more efficient and transparent.

Knowing these systems including formatting requirements and submission deadlines will make your life easier and more organized.

6.2. Print vs. Digital

While print magazines are still revered and timeless, digital has grown in importance and offers new ways to reach a global audience. Digital platforms often have interactive elements like audio readings, embedded videos, and multimedia storytelling that enhance the reader’s experience and add layers to your work.

Many publications now have hybrid models that combine print and digital to increase reach, expand their audience, and increase reader engagement. Knowing both will help you tailor your work to the publication’s medium and make the most of both print and digital opportunities.

6.3. Social Media and Promotion

In today’s connected world, your social media presence can boost your visibility as a writer. Magazines often promote their contributors on Twitter, Instagram, and Facebook, extending the reach of your work beyond the pages of the magazine.

By being active on these platforms—sharing your work, commenting on posts, or interacting with other writers and readers—you can increase your presence in the literary world and build meaningful connections that can lead to more opportunities. Being in these digital spaces is part of modern literary promotion and is key to growing your audience.

Online Submission Systems and Platforms

7. Professional Development

Working with literary magazines offers many opportunities for professional development, building connections, getting exposure, and boosting your credentials as a writer. Whether through networking at events or expanding your publication portfolio these platforms are key to advancing your career in the literary world.

7.1. Networking Through Literary Magazines

Literary magazines often host workshops, readings, and events that bring together editors, authors, and other industry professionals. These are great opportunities to network, share ideas, and form relationships that can lead to collaborations and mentorship. By attending these events you put yourself at the heart of the literary world and increase your chances of making connections that can help propel your writing career.

7.2. Book Reviews and Author Interviews

Many literary magazines feature book reviews and author interviews, a chance for writers to get exposure and connect directly with their audience. Being part of these features allows you to present your work in a broader context and offer insight into your creative process and literary perspective. These interviews and reviews can increase your profile, reach new readers, and solidify your reputation in the literary world.

7.3. Building a Publication Portfolio

Publishing in literary magazines is one of the best ways to establish yourself as a writer. By submitting your work to a range of publications you build a diverse portfolio that showcases your versatility and talent. Try to submit across genres, formats, and themes to demonstrate your range and increase your chances of getting more high-profile opportunities.

A well-rounded portfolio not only reflects your abilities but also positions you as a serious writer in the competitive literary landscape.

The Takeaway

Canadian literary magazines are more than publications, they’re talent and creativity incubators. By knowing the landscape, following the guidelines, and being part of the community you’re not just submitting work—you’re part of Canada’s literary tapestry. Now get started. Your voice needs to be heard and there’s no better time than now to get your work out there.

Last Updated on by Saket Kumar

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